<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">TACS</journal-id><journal-title-group><journal-title>Technology and Application of Computer Science</journal-title></journal-title-group><issn>2998-8926</issn><eissn>2998-8934</eissn><publisher><publisher-name>Art and Technology</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.61369/TACS.2026040027</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>虚拟仿真与声音建模技术在钢琴结构教学中的应用研究

—— 基于“结构- 声音- 艺术表达”模型</title><url>https://artdesignp.com/journal/TACS/3/4/10.61369/TACS.2026040027</url><author>胡倩如,刘兆蕤</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>3</volume><issue>4</issue><history><date date-type="pub"><published-time>2026-02-28</published-time></date></history><abstract>本文针对传统钢琴结构教学中机械结构认知与声音理解、艺术表达相脱节的问题，提出并构建了&amp;ldquo;结构- 声音- 艺术表达&amp;rdquo;三元互构理论模型。通过整合虚拟仿真与声音建模技术探索钢琴结构参数如何通过影响钢琴声学特性进而作用于音乐表达的深层机制。文章首先梳理了国内外研究现状，指出当前研究存在闭环断裂、解释性不足和实践脱节等共性缺陷。在此基础上，构建了从&amp;ldquo;结构认知&amp;rdquo;到&amp;ldquo;声音理解&amp;rdquo;再到&amp;ldquo;演奏优化&amp;rdquo;的教学闭环。通过教学实验，验证了该模型在提升学习者结构认知、声音辨识能力及演奏表现力方面的有效性。本研究为钢琴结构教学的数字化转型提供了新的理论视角与实践路径。</abstract><keywords>虚拟仿真,声音建模,钢琴结构教学,声音认知,艺术表达,三元互构模型</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1]Xiao X, Ishii H. Inspect, embody, invent: a design framework for music learning and beyond[C]//Proceedings of the 2016 chi conference on human factors in computing systems. 2016: 5397-5408.[2]Anders Thorin, Xavier Boutillon, Jos&amp;eacute; Lozada. Modelling the dynamics of the piano action: is apparent success real?. Acta Acustica united with Acustica, 2014, pp.10.[3]Simionato R., Fasciani S. and Holm S. (2024). Physics-informed differentiable method for piano modeling. Front. Sig. Proc. 3:1276748.[4]Balazs Bank, Juliette Chabassier. Model-based digital pianos: from physics to sound synthesis. IEEE Signal Processing Magazine, 2019, 36 (1), pp.11.[5] 刘晓楠. 钢琴机械机构的性能分析及对音质的影响研究[D]. 华南理工大学,2011.[6] 庄晓雪, 邵申弘. 基于VR 技术进行钢琴结构线上教学的研究[J]. 乐器, 2023(10):20-23.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
