<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">HASS</journal-id><journal-title-group><journal-title>Humanities Arts and Social Sciences</journal-title></journal-title-group><issn>3066-8301</issn><eissn>3066-831X</eissn><publisher><publisher-name>Art and Technology</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.61369/HASS.2026060033</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>贵州民歌《摘菜调》艺术特征及情感表达</title><url>https://artdesignp.com/journal/HASS/2/6/10.61369/HASS.2026060033</url><author>唐杨琳</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>2</volume><issue>6</issue><history><date date-type="pub"><published-time>2026-06-20</published-time></date></history><abstract>&amp;nbsp;黔北花灯小调是贵州民间音乐的重要组成部分，承载着西南多民族交融的地域文化特质。本文以经典贵州民歌《摘菜调》为研究对象，梳理其地域文化背景与版本流变历程，系统剖析作品的歌词文本、音乐形态与演唱风格等核心艺术特征，并深度挖掘歌曲蕴含的劳动审美、乡土情怀与诙谐美学意蕴。研究厘清作品的艺术内核与文化价值，可为西南乡土民歌的理论研究、舞台演绎与当代传承创新提供有效参考。</abstract><keywords>《摘菜调》,黔北花灯,民间小调,艺术特征,情感审美</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1]陈世涛.传统民歌的现代律动:贵州民歌《摘菜调》的艺术特征探析[J].黄河之声, 2026(3).[2]冯彬.别样风采指尖绕 板胡弓下花灯调&amp;mdash;&amp;mdash;谈板胡独奏曲《摘菜调》的艺术特色[J].戏剧之家, 2018(20):1.[3]曹吉祥,刘洁琪.贵州民歌《摘菜调》的艺术特征与演唱研究[J].黄河之声, 2026(9).</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
