<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">HASS</journal-id><journal-title-group><journal-title>Humanities Arts and Social Sciences</journal-title></journal-title-group><issn>3066-8301</issn><eissn>3066-831X</eissn><publisher><publisher-name>Art and Technology</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.61369/HASS.2026020010</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>中国团播文化的演进与吸引力机制研究</title><url>https://artdesignp.com/journal/HASS/2/2/10.61369/HASS.2026020010</url><author>贾文博,谢行</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>2</volume><issue>2</issue><history><date date-type="pub"><published-time>2026-02-20</published-time></date></history><abstract>本研究聚焦新型团播模式的持续吸引力机制，旨在突破互动仪式链解释高额打赏变现的局限。通过融合互动仪式链、媒介情境理论与PAD情绪三维理论，构建了&amp;ldquo;仪式化人设叙事&amp;rdquo;跨学科分析框架，并结合头部机构运营数据作证理论框架。研究揭示了团播吸引力的两大核心逻辑：内容发送端通过仪式化行为与人设表演生产情绪能量；接收端则经由情感激活、虚拟社交场代入、身份投射及拟社会反馈实现用户长效维系。本研究为融媒体语境下&amp;ldquo;表演-仪式-情感&amp;rdquo;如何驱动商业化传播提供了创新解释路径。</abstract><keywords>团播文化；吸引力机制；互动仪式链；媒介情境理论；PAD 情绪理论</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1]LI J, GUI X, KOU Y, et al. Live Streaming as Co-Performance: Dynamics between Center and Periphery in Theatrical Engagement[J]. Proc. ACM Hum.-Comput. Interact,2019, 64(3): 22.[2] 李宁. 广场舞与&amp;ldquo;社会摇&amp;rdquo;的审美表达与空间政治[J].北京舞蹈学院学报,2024,(03):9-16.[3]YANG Y. The Research on the Role of Abstract Culture in the Composition of Chinese Virtual Streamer Fans Culture: Taking A-SOUL as an Example[J]. Communications in Humanities Research, 2023, 8(1): 243-248.[4] 陈一愚, 陈晓萌. 际遇、情境与神圣物：网络直播对影人符号资本的祛魅与重塑[J].电影艺术,2020,(06):94-99.[5][ 美] 兰德尔&amp;middot;柯林斯．互动仪式链．林聚任等译．北京：商务印书馆，2009．36.[6] 庞华, 朱玉廷, 薛英杰. 从虚拟共在到情感能量：互动仪式链视域下ReelShort微短剧文化出海的社群互动与情感传播的动力机制研究[J].新媒体与社会,2025,1-18.[7]陈淼, 张江汀. 媒介情境视域下短视频构建乡村形象研究[J].中国电视,2022,(05):10-16.[8] 灰豚数据. SK 望江路019[EB/OL]. (2026-03-04)[2026-03-05]. https://dy.huitun.com/app/#/app/anchor/anchor_list/anchor_detail?id=4418309963397628&amp;amp;keyword=019&amp;amp;tabKey=info[9] 朱全国. 媒介视角：论行动作为一种表演阐释[J].福建论坛( 人文社会科学版),2024,(05):126-136.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
