[1] 秦小孟. 当代美国文学[M]. 上海: 上海译文出版社,1982. 329.[2] Carr, Virginia Spencer. Understanding Carson McCullers[M]. Columbia: University of South Carolina Press, 1980.[3] 赵有斌. 美国“南方文学”述评[J].四川师范学院学报,1994(1):36.[4] 李常磊, 王秀梅. 当代美国文学的现实性回归[J]. 当代外国文学, 2011 (1): 149-55.[5] 卡森·麦卡勒斯. 心是孤独的猎手[M].陈笑黎, 译. 上海：上海三联书店，2012:101,165,347,356.[6] Lin, Bin. Spiritual Isolation and Textual Transgression: A Post-Feminist Study of Gothic Motifs in Carson McCullers’s Novels of the 1940s[M]. Tianjin: Tianjin People’s Press, 2006: 43.[7] Goodwin, James. Modern American Grotesque: Literature and Photography[M]. Ohio: The Ohio University, 2009:143.[8] Durham, Frank. God and No God in The Heart is a Lonely Hunter[J]. South Atlantic Quarterly 56 (1957): 494-99.[9] Rubin, Louis D. Jr. Carson McCullers: The Aesthetic of Pain[J]. Virginia Quarterly Review 53 (1977): 270-75.[10] McCullers, Carson. The Flowering Dream: Notes on Writing[J]. The Mortgaged Heart. Ed. Margarita G. Smith. Boston: Houghton Mifflin, 1971: 280.