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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">HASS</journal-id><journal-title-group><journal-title>Humanities Arts and Social Sciences</journal-title></journal-title-group><issn>3066-8301</issn><eissn>3066-831X</eissn><publisher><publisher-name>Art and Technology</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.61369/HASS.2025090017</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>阳明心学集团引领晚明旅游文风变革因素探析</title><url>https://artdesignp.com/journal/HASS/1/9/10.61369/HASS.2025090017</url><author>冯至纲</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>1</volume><issue>9</issue><history><date date-type="pub"><published-time>2025-11-20</published-time></date></history><abstract>研究晚明小品文，可以发现文人除了政治、经济等层面因素外，作品中的浅显、直白风格，应该源自受到阳明心学引领出的游学及浅白语录体随笔所影响。本文从&amp;ldquo;明代后期讲学滥觞与转折&amp;rdquo;；&amp;ldquo;政策打压讲学更加速心学传播&amp;rdquo;；以及&amp;ldquo;心学形塑出语录体散文创作风格&amp;rdquo;等三个角度为切入点，援引&amp;ldquo;文学社会学&amp;rdquo;《同构理论》为解析工具，探究此一时期文学嬗变的综合因素。</abstract><keywords>王守仁,明代后期,旅游文学</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1]黄宗羲.黄宗羲全集.明儒学案[M].台北:里仁书局,1987.[2]〔法〕戈德曼(著),段毅,牛宏宝（译）.文学社会学方法论[M].北京:工人出版社,1989.[3]陆世仪.桴亭先生文集[M].济南:齐鲁书社,1996.[4]张廷玉,等.明史[M].台北:鼎文书局,1980.[5]沈德符.万历野获编[M].北京:中华书局,1997.[6]夏燮.明通鉴[M].北京:中华书局,1997.[7]赵翼.廿二史札记[M].北京:中华书局,1983.[8]王守仁（著）,吕何均（重编）.王阳明全集[M].上海:大东书局,1936.[9]王世贞.弇州山人四部稿[M].上海:上海古籍出版社,2022.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
