<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">HASS</journal-id><journal-title-group><journal-title>Humanities Arts and Social Sciences</journal-title></journal-title-group><issn>3066-8301</issn><eissn>3066-831X</eissn><publisher><publisher-name>Art and Technology</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.61369/HASS.2025070041</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>叛逆与回归：夏加尔艺术中的犹太身份与现代性</title><url>https://artdesignp.com/journal/HASS/1/7/10.61369/HASS.2025070041</url><author>周九瑞</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>1</volume><issue>7</issue><history><date date-type="pub"><published-time>2025-09-20</published-time></date></history><abstract>作为20世纪最具代表性的艺术家之一，马克&amp;middot;夏加尔的艺术创作始终游走于个人记忆、民族身份与现代性之间。他以独特的符号化方式将自身的生命经验与犹太文化传统相融合，同时又不断突破宗教禁令与历史叙事的限制，展现出&amp;ldquo;叛逆&amp;rdquo;与&amp;ldquo;回归&amp;rdquo;的轮回轨迹。本文以夏加尔作品及个人经历，梳理其艺术中对&amp;ldquo;犹太经验&amp;rdquo;的再现、对文化身份的背叛、对历史主义的批判，以及最终对个人身份的回归。通过对相关图像元素与文化语境的分析，指出夏加尔流散犹太人的身份焦虑以及关于民族性与现代性的表达。</abstract><keywords>夏加尔,犹太身份,现代性,历史主义,圣经叙事</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>&amp;nbsp;[1][英 ]汤因比:《历史研究》,北京:商务印书馆,1995年.第49页.&amp;nbsp;[2]邹轶泓:《巴黎画派的身份意识及其中国影响&amp;mdash;&amp;mdash;以莫迪里阿尼和夏加尔为中心》,《美术与设计》2019年第2期.&amp;nbsp;[3]沈莹:《民族意识的表象》,《美术》2013年第6期.&amp;nbsp;[4]耿幼壮.天使的堕落和天堂的乡愁&amp;mdash;&amp;mdash;夏加尔的绘画与伊里亚德的神学[J].文艺研究,2005,(05).&amp;nbsp;[5]MirceaEliade,Symbolism,theSacred,andtheArts,p.91.&amp;nbsp;[6]Jonathan Wilson,Marc Chagall:A Biography,New York:Schocken Books,2007,pp.381&amp;ndash;385.&amp;nbsp;[7]Marc Chagall,My Life,New York:Da Capo Press,1994,p.112.&amp;nbsp;[8]FranzMeyer,asquotedinMarcChagall,exhibitioncatalogue,NewYork:HarryN.Abrams,Inc.,2003,p.178.&amp;nbsp;[9]Susan Tumarkin Goodman,Chagall and the Artists of the Russian Jewish Theater,New Haven:Yale University Press,2008,p.87.&amp;nbsp;[10]MarcChagallonArtandCulture,ed.Benjamin Harshav,Stanford:Stanford UniversityPress,2003,p.83.&amp;nbsp;[11]Benjamin Harshav,Marc Chagall and His Times:A Documentary Narrative,Stanford:Stanford University Press,2004.p.552.&amp;nbsp;[12]Warburg,Aby.D&amp;uuml;rer und die italienische Antike.Vortrag gehalten auf dem Hamburger Lehrerkongress,Oktober 1905.p.91.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
