<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">ETR</journal-id><journal-title-group><journal-title>Educational Theory and Research</journal-title></journal-title-group><issn>2995-3448</issn><eissn>2995-3456</eissn><publisher><publisher-name>Art and Technology</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.61369/ETR.7302</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>后现代语境下《过于喧嚣的孤独》中边缘人的
创伤及社会角色再诠</title><url>https://artdesignp.com/journal/ETR/2/9/10.61369/ETR.7302</url><author>王绮晗,孙宇</author><pub-date pub-type="publication-year"><year>2024</year></pub-date><volume>2</volume><issue>9</issue><history><date date-type="pub"><published-time>2024-09-06</published-time></date></history><abstract>本文以捷克作家博胡米尔&amp;middot;赫拉巴尔的《过于喧嚣的孤独》为研究对象，探讨后现代主义语境下边缘人物的创伤体验及其重构过程。通过分析小说主人公汉嘉的生活经历和心理状态，揭示边缘人物在后现代社会中所面临的困境和挑战，以及他们如何通过自我救赎和文化重构来应对创伤，实现社会角色的重塑。</abstract><keywords>后现代主义，边缘人物，创伤，《过于喧嚣的孤独》</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1] Freud, S. A General Introduction to Psycho-analysis. Oxford: Wordsworth Editions, 2012. Print.[2] Hrabal, B. Too Loud a Solitude. Trans. Michael Henry Heim. Connecticut: Cengage Learning EMEA, 1992. Print.[3] Khodamoradi. A，Pirzahiri. S.A. &amp;ldquo; The Psycho-Philosophic Melancholy in Bohumil Herabal&amp;rsquo;s Too Loud a Solitude: Constructive Literature, Deconstructive Culture.&amp;rdquo;. The International Journal of Interdisciplinary Cultural Studies 12.01(2017): 15-22. Print.[4] Spivak, G. C. Can the Subaltern Speak? London: Macmillan Education UK, 1988. Print.[5] 博胡米尔&amp;middot;赫拉巴尔．《过于喧嚣的孤独》［M］．（杨乐云译）北京：十月文艺出版社．2017. P 23, 42, 47, 111, 112, 113.[6] 龙迪勇．反叙事：重塑过去与消解历史&amp;mdash;&amp;mdash; 叙事学研究之二［J］．江西社会科学，2001，(02): 7-14.[7] 向玲玲．&amp;ldquo;创伤批评&amp;rdquo;国内外研究综述［J］．外国文学动态，2013，(03): 63-64.[8] 伊哈布&amp;middot;哈桑，王岳川．何谓后现代主义［J］．文艺研究，1990(02): 157-159.[9] 张佳佳，方文开．无处可逃：《火车》中的创伤书写［J］．外国语文，2021，37(06): 60-65.[10] 赵雪梅．后现代语境下文学创伤书写何以可能？［J］．当代外国文学，2022, 43(01): 143-150.[11] 尼采．《悲剧的诞生》［M］．( 孙周兴译）上海：上海译文出版社．2021.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
