<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">EDTR</journal-id><journal-title-group><journal-title>Educational Theory Observation</journal-title></journal-title-group><issn>2995-5017</issn><eissn>2995-5025</eissn><publisher><publisher-name>Art and Technology</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.61369/EDTR.2026020029</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>蒙古族“塔西玛格”构造设计研究</title><url>https://artdesignp.com/journal/EDTR/4/2/10.61369/EDTR.2026020029</url><author>郭秀娟,王默然,王赫德</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>4</volume><issue>2</issue><history><date date-type="pub"><published-time>2026-02-20</published-time></date></history><abstract>目的 以基于游牧境遇下的蒙古族&amp;ldquo;塔西玛格&amp;rdquo;为研究对象解析其形体所具备的突出特征与科学理念。方法 采用多维度、宽领域的设计学研究方法，从微观角度客观推溯与查考其在迁徙过程中实践应用背后包含的科学原理与巧妙构思；从宏观角度详尽探究与解读其在游牧境遇下彰显的鲜明风格与深远意蕴。结果 通过将蒙古族&amp;ldquo;塔西玛格&amp;rdquo;形体置于整体社会与文化环境中，得出其利于运载、提放、持握及驱驰等优势特征，以及所遵循的物适于人、物用至尚及物映民风之设计准则，并探究发现其与当代器具的承续关系与借鉴可能。结论 可见其中心意旨即以优良的附件配置、卓著的形制轮廓及科学的器型构造来妥善处理远途放牧时存储、采集及携运水源过程中遇到的实际问题。依据整理所得启示，以期引发北方游牧地区传统盛饮器具的构造设计研究及现代设计的思考与借鉴。</abstract><keywords>蒙古族,“塔西玛格”,构造,设计</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1] 刘倩. 内蒙古乌拉特中旗草原住区特点研究[J]. 山西建筑,2010(32): 28-32. LIU Qian. A study on the characteristics of grassland settlements in Urad Zhongqi, Inner Mongolia [J]. Shanxi Architecture ,2010(32):28-32.[2] 王恽. 秋涧先生大全文集[M]. 上海书店, 1989. 卷100（纪行）WANG Yi. Mr. Qiu Jian's Collection[M]. Shanghai Bookstore ,1989. Volume 100 ( travel notes)[3] 葛露. 北方蒙古族民俗文化产品创新设计研究[J]. 包装工程,2019(6): 46-50. Ge Lu. A Study on the Innovative Design of Mongolian Folk Culture Products in North China [J]. Packaging Engineering,2019(6): 46-50[4] 吴卫.&amp;ldquo; 器以象制&amp;rdquo;与&amp;ldquo;形式追随功能&amp;rdquo;的辩证关系[J]. 装饰,2004(5): 23.WU Wei. A Dialectical Relationship between "Apparatus in Image" and "Form following Function " [J]. Decoration2004(5): 23.[5] 苗延荣, 刘卓. 艺术设计中&amp;ldquo;文&amp;rdquo;与&amp;ldquo;质&amp;rdquo;的辨证关系[J]. 包装工程,2012(12): 144-147. MIAO Yanrong, LIU Zhuo. Dialectical relationship between "Culture" and "Quality" in Art Design [J] Packaging Engineering,2012(12):144-147.[6] 张明山; 张雪. 西北饮水器具骆皮壶设计[J]. 包装工程,2018(22): 300-304.ZHANG Mingshan, ZHANG Xue. esign of Vicuna leather Pot for Drinking Water Appliances in Northwest China [J].Packaging Engineering ,2018(22):300-304.[7] 寇树芳. 蒙古族文化符号应用于街道家具设计研究[J]. 包装工程,2012(24): 66-69.KOU Shufang. A study on Mongolian cultural symbols applied to street furniture design.[J]. Packaging Engineering ,2012(24):66-69.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
